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Home2018 Marathi Movies ListLooose Control (2018) Marathi Movie
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- Movie : Looose Control (2018) | लूज कंट्रोल
- Director : Ajay Singh
- Producers : Ajit Satam, Riyaz Inamdar, Jignesh Patel, Saqib Shaikh, Mihir Bhatt
- STAR Cast : Madhura Naik, Akshay Mhatre, Manmeet Pem, Shashikant Kerkar, Kushal Badrike, Shashank Shende, Bhau Kadam, Aarti Solanki, Tia Atharva, Binod Rai Bantawa, Bunty Chopra, Namrata Awate, Prajakta Hanamagar, Namrata Kadam, Ajay Purkar, Rama Nadgowda, Deepika Sonawane, Anjali Atre, Pooja Keskar, Anjali Dharu, Vikas Waghmare, Umesh Jagtap and Praveen Khandve
- Story & Screenplay : Ajay Singh
- Dialogues : Priyadarshan Jadhav
- Studio : Friends in Corporate, Chetan Films, Bangg Onn Films
- Presenter : Prem Jhangiani
- Music : Rohit Nagbhide and Mihir Bhatt
- Lyrics : Vaibhav Deshmukh, Sujay Jadhav
- Singers : Adarsh Shinde, Jasraj Joshi, Suzzane Dimello, Amit Mishra, Rohit Raut, Angela Almeida
- C Director : Rohan Mapuskar
- M Director : Pradnya Sumati Shetty
- Action : Vikram Dahiya
- Art Director : Preetesh Kushwaha
- Costumes : Kirti Jangam, Sachin Lovalekar
- Makeup : Vinod Sarode.
- Choreographer : Santosh Palwankar
- Cinematography DoP : Murzi Pagdiwala
- Sound Design : Prashant Nayar (Sound Forest)
- Background Score : Ashish Jha
- Editor : Ujjwal Chandra
- Release Date : 2018
Looose Control Marathi Movie Poster / Photos
An upbeat murmur is surrounding this play. Many writers, directors and actors from contemporary Marathi theatre have flocked to watch it. It is a playful comedy about the liberal views of modern couples. Maata Parvati (Mausami Tondwalkar) and Bhagwant Vishnu (Omkar Patil) have an argument over the metro sexuality of modern men.
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The first half is teasing and engaging. Prasad Oak keeps viewers on their toes with his humor while other actors strive to make their presence felt. Gargi's definition for boys and her one-liner - 'premalu, lagnalu, aalumaalu,' and Prasad Oak's sassy punches - 'lagna he fakta chewing gum sarkha asta,' evokes spontaneous laughter. Since the major twists and turns of the tale take place after the interval, predictably the pace doesn't slack in the second half.
Writer Abhiram Bhadkamkar needs to work on the repetitive dialogues in the script. The subject of the metro-sexual man and of the man-woman relationship is needlessly repeated during Maata and Bhagwant's conversation. Nilesh Moharir of 'Tuz Vin Sakhya Re' fame manages to grip audiences with his score and is neatly complemented by the Sheetal Talpade's lights. Especially when there are major fade in and fade outs.
Samir Vidwans already has a rich repository of audience response across Maharashtra - in Mumbai, Thane, Kalyan, Dombivli, and Pune amongnst other places. Nevertheless, it's interesting to note the audience reaction to the latest performance at Baal Gandharva, Pune. The ticket window saw mostly young faces, sheltered in winding queues, anxious to secure a seat in the theatre. Most of the young people, comprising over 90 per cent of the audience wore a quizzical expression.
Director Samir Vidwans who also directed NAVA GADI NAVA RAJYA has put in efforts to portray a mature issue in a playful manner. Samir questions whether today's broad-minded, modern and metro sexual man can really understands female aspirations? He is giving his wife individuality but is this practiced at every level? Or is he just being expedient when it comes to a few things?
The play seems humorous at first glance but as it crawls slowly towards the subject, it becomes interesting. Young couples are expected to enjoy this play. Older audiences can go to watch Prasad Oak's comedy. Thanks to Chandravalaya productions for producing yet another good piece of theatre.
*Nikita Wagh is a young theatre enthusiast. She has participated in inter-collegiate theatre, and is currently a content writer with www.glamsham.com
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